“My second studio
album derives its title from the timing of its production and how it will be
received in the future. The concept behind the title was blossomed from the
reality that many Artists and songs on the album are good enough to compete
with their counterparts making mills out there, yet we remain where we are.
So when that piece of
genius wakes up to either dig quality works in the future or the acts that
represented this era in our suburbs, a copy of the album will speak for our
time, our contributions to growth of music around this part of the globe
We may be long dead
and decayed or living but obsolete or fortune may smile on us and this messiah
will come in our time but let him rejoice for the history of how far we may
have gone when he comes will be summarized as he listens to the content of the
album and everything associated with it, then he will see that the album is
indeed a bunch of scrolls dug from a past in an unknown era to us. So the album
is more of a future than it is of a present.
Read Also: Sharx-p Excavated Scrolls now out
The album will be
found, yes, let he who finds it know that we weren’t unaware of our potentials
but the climes within which we thrived to succeed were hostile to artistic
development and independence and so our efforts were received and kept were he
finds the album; in the future it will be easy to see that the quality, content
and cast of the album and everything associated with it will be as good as
stories from excavated scrolls.
Unlike other albums
whose titles are derived from themes and or song titles from the album, this
one has been “concepted” around an apparent future reception.” Sharx-P
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